The Hunger Games return with such a sequel twist that you can't believe writer Suzanne Collins didn't think of film when writing. Catching Fire builds up with all types of subversive messaging which is interesting but also brings into relief the limitations of the genre and film.
You steal my car, you rip the seat out, you kidnap me, you ask me to help you find your daughter which I very kindly do, and then you get me involved in a shootout where people are dying and there's blood spurting all over the place, and then I watch you rip a phone booth out of a wall, swing from the ceiling like Tarzan, and then there's a cop that's going to shoot you and I save you and they start chasing me. Are you going to tell me what's going on or what?
Mellow out man. We can't talk business with you waving guns in people's faces. Your daughter is safe, Colonel. Now whether she stays that way is up to you. My people, they got some business with you. And if you want your kid back, then you gotta co-operate, right?