The Hunger Games return with such a sequel twist that you can't believe writer Suzanne Collins didn't think of film when writing. Catching Fire builds up with all types of subversive messaging which is interesting but also brings into relief the limitations of the genre and film.
When it rains, it's like there's a rooftop on the world. Each raindrop makes a sound the first time it falls on a surface. Just then, it's like I-I... it's like I can see again. And I-I just want to... I just want to see you.
That place is gonna be crawling with people, rich people! People who pay their legal fees with money, not with fish, or with-with-with wheels of cheese, or with sports supplies! I'm gonna fill you in on a little secret, Matt. This doesn't look like a law office, okay? It looks like the set of goddamn "Sanford and Son". Every time I walk in, I'm waiting for Lamont to come down the stairs!
Jack, you never stopped. Did you really think you won all those fights on your own? You're forty-two years old! Miller, Mack, Bendis, they're all my fighters... just like you. And now it's your turn to take a fall. Think about your boy, Jack. I'm sure you'll do the right thing.
Business. That's all it ever is, is business. I was working for Fallon at the time. Your father was supposed to throw a fight. And your girl was in the wrong family at the wrong time. It's all business. And you've been in my business for too long!