Rorie defends Aronofsky's ambitious flick, The Fountain.
Video posted by JoeyF on March 29, 2011
Three concurrent stories taking place in the years 1500, 2000, and 2500 respectively, The Fountain is a love story about one man's obsession with death and his attempt to defeat it in three radically different ways.
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After watching Rorie's defense I think I'll go and watch the movie again.
My only beef with it is the film school gimmick of looping lines over and over again - - "Finish it" - - and that there wasn't that much more to it. I don't think it's really open interpretation. It obviously is the second "reading" Rorie offers.
FUN NOTE: If you swap conquistadors for samurai and take out a timeline, it's very easy to see how Aronofsky got the inspiration for this while working on an unrealized adaptation of Frank Miller's RONIN.
Plus I feel like it's Aronofsky's most emotional film he's made, one that you can tell he put his heart and soul into. Thumbs up!
Also I loved splicing Jackman's confused "oh?!" face after talking about multiple interpretations.
The movie's open enough that you're free to think of different theories for the stories and how they relate though it isn't so vague that you're sitting there thinking this movie could very well be about everything.
By the end, you know the dichotomy the film's centered around as well as the message the movie puts out, but tying each time period together with that knowledge is the fun part.
Jackman and Weisz pull out some great performances, with Jackman definitely standing out, and the supporting cast are good enough. And damn if this movie ain't great in the audio/visual department. The dying star Xibalba , the untouched tree of life, every single track from the score. Great stuff.
Great video, Rorie.
Overall, I would say that it really helps to have read something about the movie before you actually watch it. That way, you can prepare your mind to digest what it is about to see, and therefore, better interpret it.
Still, another achievement by Aronofsky, even if the critics don't exactly agree.
To me, there's nothing not to love. There's the entrancing score (which is on iTunes, etc now - and worth it in my opinion), the amazing visuals, the freely interpretable plot and - in particular - the wonderfully compelling performances.
Thanks Mat - it's content like this which makes me happy to be a member.