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| Detective Casals | "You recognize the M.O.?" | |
| Vincent Hanna | "M.O... is that they're good. Once it escalated into a murder-one beef for all of 'em, after they killed the first two guards, they didn't hesitate. Popped guard number three because.. what difference does it make? Why leave a living witness? Drop of a hat, these guys will rock-and-roll." |
| Vincent Hanna | "Albert!" | |
| Albert Torena | "Shit." | |
| Vincent Hanna | "Albert." | |
| Albert Torena | "Listen man, what you doin', comin' here for, man? You crazy? This ain't 'Disneyland', man." | |
| Vincent Hanna | "You were supposed to get back to me last night. Where the fuck you been?" | |
| Albert Torena | "I couldn't break free, Vincent, you know?" | |
| Sergeant Drucker | "Let's violate his ass, right now." | |
| Vincent Hanna | "I do for you... you don't do for me, is that it?" | |
| Albert Torena | "Vincent, man. I swear, I w- I was out all night man, I-I'm hittin' like one o' them flamingo matador guys, man." | |
| Vincent Hanna | "That's got nothin' to do with me." | |
| Albert Torena | "I-I was cuttin' it real smooth. I'm generatin' leads an' shit for you. I'm a dancer, man, you know?" | |
| Sergeant Drucker | "Bullshit. I paged your ass all day. I can't stand fucking paging. You're a speed freak, jacking meth-amphetamine again." | |
| Albert Torena | "Oh man, wh-where's your empathy brother? It's a substance abuse problem." | |
| Vincent Hanna | "Empathy was yesterday. Today, you're wasting my motherfuckin' time." |
| Vincent Hanna | "You fall in love? Come on, did you fall in love last night? Went off somewhere? Just tell me that, I'll settle for it. I'll buy that." | |
| Albert Torena | "V-Vincent." | |
| Vincent Hanna | "GIVE ME ALL YOU GOT!" | |
| Albert Torena | "Vincent, man" | |
| Vincent Hanna | "GIVE ME ALL YOU GOT!" | |
| Albert Torena | "I swear man, my brother, man, my brother, my brother Richard's gonna talk to you!" | |
| Vincent Hanna | "I heard Richard?" | |
| Albert Torena | "He goin' talk to you." | |
| Vincent Hanna | "Richard?" | |
| Sergeant Drucker | "Richard." | |
| Vincent Hanna | "Richard?" | |
| Albert Torena | "He goin' meet you man, I swear, tonight!" | |
| Vincent Hanna | [looks under the table, mockingly] "He's not here is he?" | |
| Albert Torena | "No, he goin' meet you tonight." | |
| Vincent Hanna | "Tonight? What happened to right now?" | |
| Albert Torena | "I-I-I implored him, because I knew you was coming this A.M.!" | |
| Sergeant Drucker | "That's a bunch of bullshit." | |
| Albert Torena | "No, no, I swear. He said no... 'cause he in Phoenix!" | |
| Vincent Hanna | "Oh!" [sings] "By the time I get to Phoenix, he'll be risin'! He'll probably leave a note, right on the door!" | |
| Albert Torena | "Tonight's the best I can do for you, man, you know? He-he'll meet you at BJ's on Alvarado... at 2 A.M. Be there." | |
| Vincent Hanna | "You be there too." | |
| Albert Torena | "Vince, I can't be there, man. I got things to do, Vince, I got things to do, I got- I got places to be. I got--" | |
| Vincent Hanna | "Be there." [Vincent begins to leave] "Don't waste my motherfucking time!" |
| Neil McCauley | "Forget the money." | |
| Roger Van Zant | "I-it's a lot of money! Wh-what are you doing? What do you mean, 'forget the money'?" | |
| Neil McCauley | "What am I doing? I'm talking to an empty telephone." | |
| Roger Van Zant | "I don't understand." | |
| Neil McCauley | "'Cause there is a dead man on the other end of this fuckin' line." |
| Michael Cheritto | "For me... the action *is* the juice." |
| Vincent Hanna | "Charlene Shiherlis." | |
| Alan Marciano | "Who?" | |
| Vincent Hanna | "Who? Who? What are you, a fuckin' owl?" | |
| Detective Casals | "The lady you been talkin' dirty to for everyday last week. | |
| Alan Marciano | "Yeah, alright, you know what? You can't tie me to her." | |
| Detective Casals | "Who needs to? 'Cause your ass is on a place back to New Jersey, jackoff." | |
| Alan Marciano | "I just... why'd I get mixed up with that bitch?" | |
| Vincent Hanna | "'Cause she got a GREAT ASS! And you got your head, ALL THE WAY UP IT!" |
| Vincent Hanna | "So, you never wanted a regular-type life?" | |
| Neil McCauley | "The fuck is that? Barbecues and ball games?" | |
| Vincent Hanna | "Yeah." | |
| Neil McCauley | "This regular-type life like your life?" | |
| Vincent Hanna | "My life? No, my life's a disaster zone. I got a stepdaughter so fucked up, because her real father is this large-type asshole. I got a wife, we're passing each other on the down slope of a marriage. My third. Because I spend all my time chasing guys like you around the block. That's my life." | |
| Neil McCauley | "Guy told me one time: 'Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat, if you feel the heat comin' around the corner. Now, if you're on me and you gotta move when I move... how do you expect to keep a... a marriage?" | |
| Vincent Hanna | "That's an interesting point. What are you, a monk?" | |
| Neil McCauley | "I have a woman." | |
| Vincent Hanna | "What do you tell her?" | |
| Neil McCauley | "I tell her I'm a salesman." | |
| Vincent Hanna | "So then if you spot me comin' around that corner... you just gonna walk out on this woman? Not say good-bye?" | |
| Neil McCauley | "That's the discipline." | |
| Vincent Hanna | "That's pretty vacant." | |
| Neil McCauley | "It is what it is. It's that, or we both better go do somethin' else, pal." | |
| Vincent Hanna | "I don't know how to do anything else." | |
| Neil McCauley | "Neither do I." | |
| Vincent Hanna | "I don't much want to either." | |
| Neil McCauley | "Neither do I." [Neil smiles.] |
| Vincent Hanna | "You know, we're sittin' here... you and I, like a couple of regular fellas. You do what you do, and I do what I gotta do. And now that we've been face to face... if I'm there, and I gotta put you away, I won't like it. But I'll tell ya... if its between you, and some poor bastard whose wife you're gonna turn into a widow, brother, you are goin' down." | |
| Neil McCauley | "There's a flip side to that coin. What if you do got me boxed in, and I gotta put *you* down? Because no matter what... you will not get in my way. We've been face to face, yeah." [pause] "But I will not hesitate. Not for a second." |
| Breedan | Ain't a hard time been invented that I cannot handle. |
| Justine Hanna | You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through. |
| Chris Shiherlis | The bank is worth the risk. I need it, brother. We should stay and take it down. |
| Vincent Hanna | I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set! |
| Charlene Shiherlis | It's like risk versus reward, baby. |
| Bosko | I figure this guy went for that hold out piece, ankle holster right from here. Bang, bang, bang-bang-bang. |
| Vincent Hanna | That's exactly what they're gonna do, they're gonna walk. This is my operation, I have tactical command that supercedes your rank, they will walk away and you will let them... |
| Nate | So, so long, brother. You take it easy. You're home free. |
| Neil McCauley | Don't move. Don't fuckin' move. Put your hands in the air. Put your hands in the air. Put 'em up. |
| Chris Shiherlis | For me, the sun rises and sets with her, man. |
| Vincent Hanna |
|
See when I think of asses--a woman's ass--something comes out of me! |
| Neil McCauley | Our problem is take the bank or split right now, do not go home, do not pack, nothing. 30 secs flat from now we are gone on our separate ways, that's it... |
| Neil McCauley | He knew the risks, he didn't have to be there. It rains... you get wet. |
| Neil McCauley | I don't even know what I'm doing anymore. I know life is short, whatever time you get is luck. You want to walk? You walk right now. Or on your own... on your own you choose to come with me. And all I know is... all I know is there's no point in me going anywhere anymore if it's going to be alone... without you. |
| Vincent Hanna | I gotta hold on to my angst. I preserve it because I need it. It keeps me sharp, on the edge, where I gotta be. |
| Justine Hanna | I may be stoned on grass and Prozac, but... you've been walking through our life dead. And now I have to demean myself with Ralph just to get closure with you. |
| Neil McCauley | We want to hurt no one. We're here for the bank's money, not your money. Your money is insured by the federal government, you're not gonna lose a dime. Think of your families, don't risk your life. Don't try and be a hero. |
| Justine Hanna | You prefer the normal routine. We fuck, then you lose the power of speech. |
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edit
Box Office
Domestic $67,436,818 Foreign +$120,000,000 - = total worldwide gross $187,436,818
- - a reported budget of $50,000,000
- = a 274.9% net profit of $137,436,818
- show in today's dollars »
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activity & ranking425 people have watched this item.
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In today's dollars
Domestic $67,436,818 Foreign +120,000,000 - = total worldwide gross $187,436,818
- - a reported budget of $50,000,000
- = a 274.9% net profit of $137,436,818
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