Nolan Reveals Inception's Secrets--Surprisingly Without Saying "Nyah nyah nyah!"

Topic started by Tom_Pinchuk on Nov. 30, 2010. Last post by Lepton 1 year, 5 months ago.
Post by Tom_Pinchuk (105 posts) See mini bio
Staff
You know, I thoroughly enjoyed Inception, but it definitely wasn’t one of those movies (like, say, the Fountain or Donnie Darko) where I was walking out debating about "what really happened.” The ending was straightforward to me. Sure, you got some light ambiguity about whether Leo was still in a dream, sure, but I definitely wasn't wondering if the entire thing took place in his head. To get a little high falootin', I was more concerned with what it had to say about meme theory.

Anyway, Christopher Nolan did a great interview with Wired just recently wherein he directly addressed these theories surrounding the flick...

  1. No, the kids aren’t the same at the end.  
  2. No, he didn’t intend it to be a veiled parable about movie-making with Leo as the director, JGL as the producer, Ellen Page as the set designer, et cetera.
  3. No, the ending probably isn’t a dream--what’s more important is that Leo doesn’t care to look at the top at point.
 
However, this is not to say you can't still look at it through the lens of those interpretations (and that’s distinction a lot of fans don't seem to get when it comes to "understanding" a movie.)   

Whenever he talks about his movies, Nolan always impresses me how articulate he is. He fields all of these questions with great insight and tact. I especially appreciated his quick dismissal of Joseph Campbell’s mono-myth which, in my opinion, is a horribly-overused “formula” that’s resulted in many more bland, predictable movies than “modern legends.”  
 
He also touches a little on video games' influence on the flick because, which he really had to because, c'mon, who didn't think the snow mountain portion felt like a bonus round in Modern Warfare with an infinitely-replenishing supply of special ops goons? Definitely give the full interview a read, if you get a chance.
Post by Gunde (0 posts) See mini bio
Link to the Wired article for easy clicking. 
 
http://www.wired.com/magazine/2010/11/pl_inception_nolan/
Post by Cypher (24 posts) See mini bio
"No, he didn’t intend it to be a veiled parable about movie-making with Leo as the director, JGL as the producer, Ellen Page as the set designer, et cetera. "
 
Who the hell had that theory?!
@Cypher: I was thinking the same thing, but the kids being different at the end I did not know about, maybe I am not too perceptive, or I should have seen the movie the second time like I wanted to.
Post by Sandor (598 posts) See mini bio
I thought the movie was pretty straightforward, no room for interpretation except at the ending.
Post by Martin_Blank (466 posts) See mini bio
"who didn't think the snow mountain portion felt like a bonus round in Metal Gear Solid"
 
fix'd
 
When they showed the spinning top in the dreamworld, it was rock-steady, and it clearly wobbles at the end so I never really questioned the end being a dream.  I really like his last reply about basing an ambiguous story on a sincere interpretation with a solid point of view. So many tv hacks could learn from that.

Post by cstrang (59 posts) See mini bio
Inb4 "OMG SPOILERS!"
Post by MarkWahlberg (464 posts) See mini bio
"  Oh yeah. I’ve always believed that if you make a film with ambiguity, it needs to be based on a sincere interpretation. If it’s not, then it will contradict itself, or it will be somehow insubstantial and end up making the audience feel cheated. I think the only way to make ambiguity satisfying is to base it on a very solid point of view of what you think is going on, and then allow the ambiguity to come from the inability of the character to know, and the alignment of the audience with that character." 
 
This guy is great.
Post by DuncanIdabro (29 posts) See mini bio
Honestly, who else thought the kids faces were going to be terribly deformed after having their backs turned to the camera for so long at the end? Or was that just me...
Post by Kajaah117 (280 posts) See mini bio
@Sandor said:
" I thought the movie was pretty straightforward, no room for interpretation except at the ending. "
This! A million times this! The rules of the shared dream space may be a little tough to wrap your head around after the first viewing, but really, the movie is fairly straightforward. I didn't see the ending as ambiguous at all, instead symbolic.  
 
Cob spun the top at the end of the movie, but immediately after seeing his kids' faces after all that time, he walked away from it. It doesn't mater whether or not it was actually a dream. If it was real enough for him to feel relief and be at peace with himself, then nothing else matters.
Post by Vonocourt (320 posts) See mini bio
@Cypher said:

" "No, he didn’t intend it to be a veiled parable about movie-making with Leo as the director, JGL as the producer, Ellen Page as the set designer, et cetera. "  Who the hell had that theory?! "

It was a Chud article.  And it's a bit of a bummer that Nolan shot it down, since it was way more interesting then any dream/reality theories that everyone was so wrapped up in.
Post by gambitpryde1993 (26 posts) See mini bio
@Cypher:  I actually saw some BS movie site that said Saito was the studio head. A lot of people saw that symbolism in Inception. I'm actually writing a paper that compares the mindscape in Inception to Arthur Dimmesdale's mindscape in Scarlet Letter.

Post by Lydian_Sel (2,023 posts) See mini bio
I always thought that Inception was cool in way that if you really wanted to take it deep & pick it apart there was more than enough material in for you to go crazy with, but at the same time the narrative was straight forward enough for you to just let it be & enjoy yourself.
Post by Lepton (24 posts) See mini bio
Ugh, typo. 
Nolan Reveals, not Nolan Revels
Inception Characters Trailer

Take a peek at the main players from Christopher Nolan's dream-bending thriller Inception.

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Inception gets a new trailer and shows off some of where that $160 million budget went. Work those SFX like you mean it, boys!

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General Information Edit
Name Inception
US Release July 16, 2010
UK Release July 16, 2010
AUS Release July 22, 2010
Runtime 148
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Rating PG-13
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The Screening Room Films a list of 27 items by mracoon
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  • In today's dollars
    Domestic $292,576,195
    Foreign +532,956,569
  • = total worldwide gross $825,532,764
  • - a reported budget of $160,000,000
  • = a 416.0% net profit of $665,532,764
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