Reviews

Horror films often exist on the edge of showing you too little or showing you too much, but The Woman In Black strikes an occasionally perfect balance between the two.

Angsty teens with superpowers get the found-footage treatment in this surprisingly deft little sci-fi thriller.

As a romantic comedy, One For The Money is even more lighthearted and innocuous than most. The result is a film that's easy to like, if not love.

As its bland, generic title indicates, Man On A Ledge is the end result of many people coming together to collectively not give a damn about making a decent film.

Joe Carnahan's survivalist epic grips and terrifies with relentless efficiency and haunting brutality.

Less fully-formed movie than proof-of-concept, Haywire nonetheless squeaks by on the merits of its brutally magnetic heroine, and some killer action scenes.

It may be a decent excuse to watch a woman in leather fire automatic weaponry, but that doesn't mean that Underworld: Awakening isn't also pretty dumb.

A better title might have been 'Extremely Lousy and Incredibly Cloying.'

An action film that feels like it's willing to settle for being perfectly competent.

There have been maybe a half-dozen found-footage horror films dealing with possession, but The Devil Inside still feels like it should be ranked tenth on that list.

The title is half correct: this movie is rather dark. That it is not only an hour is both false advertising, and tragic for anyone forced to see it.

War Horse is both a grand technical achievement and emotionally underwhelming.

Cameron Crowe makes up for his disastrous Elizabethtown with the mostly charming and delightful We Bought A Zoo.

Steven Spielberg's adaptation of Herge's classic comic is wonderfully whimsical adventure.

David Fincher's adaptation of Stieg Larsson's ubiquitous crime thriller oozes style, but comes up a bit dry in substance.