Reviews

Inception is one of the purest acts of world-building to come out of Hollywood in years.

The only magic trick this nerds and sorcerers epic manages is to make you forget about anything that's happened five minutes after the credits roll.

This is a nearly pitch-perfect look at the various ways in which family members can love and torture each other at the exact same time.

An unflinchingly blunt and unfiltered war documentary that frequently rattles the nerves.

Despite its bevy of plot twists and revelations, The Girl Who Played With Fire can't live up to its predecessor.

Though it loses steam as it goes along, Predators is a gleefully valiant (and gleefully violent) effort at injecting some measure of relevance back into this franchise.

Despicable Me is clever and entertaining from start to finish.

Cyrus is the rare romantic comedy built not around screwball antics or sitcom-styled plotting, but the exacting performances of its talented leads.

M. Night Shyamalan has created an inscrutable mess of a film that's not going to entertain either general audiences or fans of the source material.

The Eclipse drinking game: every time you yawn in boredom, take a drink. Unless you are the size of an elephant, you will die.

One of the most unique film experiences of the year, I Am Love is a tour de force synthesis of narrative, visuals, and score.

Harmony Korine's supremely weird, lo-fi feature will surely please some and supremely piss off others.

Grown Ups is an ugly, insulting piece of filmmaking that will make you run to the shower after watching it.

Even taken purely as an attempt at sexy, brainless summer movie entertainment, Knight and Day is a boring and bizarre experience.

This melancholic look at crime in Britain is one of the best vigilante films in years.