Reviews

Joe Carnahan's survivalist epic grips and terrifies with relentless efficiency and haunting brutality.

There have been maybe a half-dozen found-footage horror films dealing with possession, but The Devil Inside still feels like it should be ranked tenth on that list.

The title is half correct: this movie is rather dark. That it is not only an hour is both false advertising, and tragic for anyone forced to see it.

Steven Spielberg's adaptation of Herge's classic comic is wonderfully whimsical adventure.

David Fincher's adaptation of Stieg Larsson's ubiquitous crime thriller oozes style, but comes up a bit dry in substance.

This whole operation was a molehunt? Yes, but it's hard to find fault when it's as stylish and methodical as Tinker, Tailor, Soldier, Spy.

A largely by-the-numbers comedy, The Sitter feels like a film that was produced from a script that fell just short of a final draft.

An audicious but reverent nod to a forgotten art form, The Artist is the best film about filmmaking to arrive this year.

This is one gigantic, aching grin of a film.

A delicate mixture of anger, love, and mourning, The Descendants features some of the best performances of the year.

As fan service, Breaking Dawn: Part 1 ably serves fans. But for those forcibly dragged to the theater along with those fans, only the absurd melodrama and psychedelic body horror will save your sanity.

This twisted little indie comedy can't overcome the inherent lousiness of its own premise.

Pop entertainment can sometimes result in heist films like Ocean's Eleven. Less pleasantly, it can result in slick but unfunny stick-it-to-the-man capers like Tower Heist.

Hunter S. Thompson's legacy as a gonzo icon probably hindered this adaptation of one of his early novels more than it helped it.

A steampunk version of The Three Musketeers in 3D feels like a fake pitch from a bad Hollywood satire...and yet, here we are.