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Ai Weiwei: Never Sorry

This artist’s portrait becomes more a commentary on the state of China today, but in doing so provides deeper context for the worth of contemporary art in the modern world.

reviewed on Aug. 27, 2012 by Matthew Marko
The Odd Life of Timothy Green

Should Have Been Pruned

reviewed on Aug. 24, 2012 by Mitch Salem
ParaNorman

By embracing the heart of its premise, even at the risk of being too serious or emotional, this horror comedy manages to instantly fall into that timeless genre of animated movies that work as well, if not better, for adults than kids.

reviewed on Aug. 20, 2012 by Matthew Marko
The Expendables 2

Grumpy Old Mercenaries

reviewed on Aug. 17, 2012 by Mitch Salem
The Bourne Legacy

Attempting to get out from the specter of Matt Damon, the fourth Bourne movie manages to create a fun riff on a formula that still works, but still struggles to define itself as anything unique to an already codified series.

reviewed on Aug. 13, 2012 by Matthew Marko
The Campaign

Not Smart Or Funny Enough To Deserve A Vote

reviewed on Aug. 10, 2012 by Mitch Salem
Beyond the Black Rainbow

A cobbled mess of images stolen wholesale from its betters, this watery, meandering science fiction thriller manages even at its best moments to merely be hollow and soulless.

reviewed on Aug. 8, 2012 by Matthew Marko
Total Recall

Unmemorable and Unnecessary Remake

reviewed on Aug. 3, 2012 by Mitch Salem
Beasts of the Southern Wild

Powerful and awe-inspiring, this tale of childhood wonder and the painful lessons of growing up manages to sidestep preachiness to achieve true cinematic magic.

reviewed on Aug. 1, 2012 by Matthew Marko
The Watch

The Title May Say Watch, But You Don’t Have To

reviewed on July 27, 2012 by Mitch Salem
Step Up Revolution

Another entertaining escape into the world of loud music and elaborate dance routines, Step Up Revolution stumbles more through failing to live up to its presumptions of social relevance than any technical faults, settling for being simply vapid and fun.

reviewed on July 27, 2012 by Matthew Marko
Take This Waltz

A showcase for the considerable talents of Michelle Williams, Take This Waltz is a nuanced take on familiar romantic comedy tropes that wrings real drama out of the most stock of premises.

reviewed on July 20, 2012 by Matthew Marko
The Dark Knight Rises

Christopher Nolan Ends His Saga With a Weighty Bang

reviewed on July 20, 2012 by Mitch Salem
To Rome with Love

Woody Allen’s latest is as charming and neurotic a film as ever, but its collection of short stories are ultimately just light riffs on well-tread ground and hold little for those who aren’t already Allen devotees.

reviewed on July 13, 2012 by Matthew Marko
Ice Age: Continental Drift

A Reliable Family Franchise Sets This Year’s Product On the Conveyer Belt

reviewed on July 13, 2012 by Mitch Salem
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