Reviews

Professor Tarantino Takes On Civil War History 101 (Don't Expect Daniel Day-Lewis)

Devotion to the Source Doesn’t Make Up For Flat Dialogue, Uneven Tone

The Lorax takes a "bold" stand with its message that trees are good and polluting mega-corporations are evil.

Here is a prime example of how not to make a thriller.

A speedy, harshly violent trip through the underbelly of Los Angeles, Drive is one of the best pure crime flicks of the last decade.

A mostly scare-free film, the warning in Don't Be Afraid Of The Dark's title winds up being mostly unnecessary.

More like Dylan Dumb, am I right?

Drive Angry tries very hard to be a hyperviolent fiasco, and somehow ends up a merely decent action flick in the process.

A largely heartless and mostly joyless road comedy featuring great actors saddled with lousy material.

A sleepy, mostly scareless supernatural thriller that largely wastes its interesting premise.

If you laugh at Dinner for Schmucks, you'll laugh because of its talented cast--too talented for material this middle-of-the-road.

Dogtooth blends elements of family drama, black comedy and psychological horror into a nightmarish experience you won't soon shake off.

Despicable Me is clever and entertaining from start to finish.

Chris Rock and Martin Lawrence flounder through this manically overwrought comedy remake.

Funny, but just uninspired enough to also be forgettable.