Reviews

Magic Mike, beyond the eye candy and big laughs, is everything a movie should be: smart, nuanced, funny, and one of the best movies director Stephen Soderbergh has made in years.

Wes Anderson Does What Wes Anderson Does

Third time isn’t quite the charm for Agents K and J, but a time travel plot opens up some new possibilities for these otherwise tired jokes and characters, reminding us that aliens can still be fun.

As its bland, generic title indicates, Man On A Ledge is the end result of many people coming together to collectively not give a damn about making a decent film.

Not since the first Mission: Impossible movie has the series been this tricky, this thrilling, and this much fun.

The line between romance and manipulation is blurred in this excellent biopic.

Lars von Trier's beautiful apocalyptic thinker is his most accessible film in years, while retaining enough of that von Trier weirdness to keep things interesting.

Terrific performances from Elizabeth Olsen and John Hawkes help solidify this bewildering and terrifying drama.

Part sports movie, part revolutionary human drama, Moneyball defies expectations and actually makes number-crunching something other than a dreadful bore.

Jim Carrey has sunk into generic family movie mode in this dull, if generally inoffensive comedy.

I liked it better when it was called The Devil Wears Prada.

Dreamworks takes a step backward with this awkward supervillain comedy.

Wes Craven's latest is an irredeemable failure of a horror film, and a completely pointless excercise in 3D tedium.

The second half of Jean-Francois Richet's excellent biopic of notorious French criminal Jacques Mesrine cranks up the action and the stakes.

The mangled, snarling presence of Danny Trejo and the demented sense of humor of Robert Rodriguez help carry this former fake movie into the realm of the real with great success.